A Word About Big Words
In some no doubt specious piece of pop-culture writing, I once read that women are more impressed by a man’s good vocabulary than anything else about him. This seems hard to believe at first glance but gains a little more credibility on second or third glance. Because, after all, a good vocabulary often represents a good education, and a good education is correlated with many other positive factors–higher incomes, ability to handle responsibilities, an intelligent view of the world.
But in real-life conversations, as opposed to specious pop-culture advice, using a big vocabulary is using a double-edged sword. If you have a velleity to use such words, the preponderance of these usages will alienate your listeners, if you use them for the sake of exhibitionism. (As an example, see that last sentence.) And if the people you’re talking to are not those who really appreciate high articulation–children, those who are less educated, even friends and colleagues who are simply more practical-minded–you will sound pompous. Walt Frazier, the basketball commentator, has made a post-NBA career out of amusing pollysyllabifications.
For all that, using words that are correct and exact and possibly too seldom employed–words that really specify what you’re saying instead of vaguely indicating something like what you mean (“severe” instead of “bad,” say, or “mitigate” instead of “help,” or “plaintive” instead of “sad”)–can indeed make your conversation more interesting and compelling. And that may in fact impress the girls–or the boys.
So it’s always good to learn and use a more precise and wide-ranging vocabulary, so long as you wield it only if it comes naturally, never for its own fancy sake. And don’t forget that the great poet Dylan Thomas used an extremely limited vocabulary to achieve eloquent and powerful effects.

